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Posted: Saturday, September 30, 2017 11:37 AM

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D. M. GREMLIN STUDIOS ~ LONG BEACH, CA

Recording~Mixing-Mastering~Music Production


 
Proudly serving Southern California, national, and international clients since 2000

 
studio@dm-gremlin.com ~~ 866-334-4364 (no texts) ~~ http://www.dm-gremlin.com

** "Big Studio" sound and quality at affordable prices: Basic rate is $35/hour.
** All rates include engineer with 20 years of experience, traditional recording and mastering studio training, and extensive discography.
** Top-notch analog and tube outboard gear - SSL, Manley, API, and more.
** Recording studio services for full bands, drum tracking, vocalists, singer-songwriters, piano recording.
** Excelling in precise and clean pitch correction, timing correction, and digital editing.
** We welcome all artists/musicians from studio beginners to professionals, and all styles of music/speech/voiceover.
** In the interests of maintaining our low rates, WE ARE UNABLE TO PROVIDE FREE STUDIO TOURS.

STUDIO BOOKING INFORMATION:
** Posted rates apply for sessions being confirmed at least 48 hours in advance - NOT A WALK-IN STUDIO.
** Short-notice rates and policies apply for sessions being confirmed less than 48 hours in advance.
** NEW CLIENT FIRST-TIME BOOKING takes 5-7 days and requires payment in advance before confirmation of first session.

TO REQUEST SESSION BOOKINGS, PLEASE PROVIDE ALL OF THE DETAILS LISTED ON
OUR BOOKING INFORMATION PAGE:
http://www.dm-gremlin.com/studio/scheduling.html.


SERVICES AND RATES:
** Hourly Recording/Mixing Sessions: $35/hour (includes engineer)
** Full Day Block Sessions: $250/8 hours (includes engineer; available for tracking or split tracking/mixing only)
** Extended lockout blocks available; email studio@dm-gremlin.com for information/quote
** Music Production and Arranging: $50/hour or by full project quote
** Audio Mastering: $50/hour or $50/single song
** Private Instruction in Audio Engineering: $40/hr (2-hour minimum per session)
** Listening Session: $25 (45min in-studio facilities tour, engineer meeting, and project planning)

SELECTED EQUIPMENT LISTS:
ANALOG/TUBE OUTBOARD GEAR:
** MIC PREAMPS: API 512C (2 channels), Aurora Audio GTQ2MkIII (2 channels), Manley Force (4 tube channels)
** COMPRESSORS: (all stereo/2 channels) API 527, Summit Audio DCL-200 tube compressor, DBX 160SL, Dramastic Obsidian buss/mastering compressor, FMR RNLA
** EQUALIZERS: (all stereo/2 channels) Sontec MEP-250C mastering EQ, API 550A, SSL 611 E/G Series, Warm Audio EQP-WA Pultec-style tube EQ
** NOISE GATES: Drawmer DS-201 (2 channels)

MICROPHONES:
** TUBE CONDENSER MICS: Peluso P-49, Peluso 22 251
** LARGE-DIAPHRAGM CONDENSER MICS: Neumann TLM-103 (stereo pair)
** RIBBON MICS: Sontronics Sigma (stereo pair)
** INSTRUMENT MICS: Shure SM57/58, AKG D112, EV RE20, and more

INSTRUMENTS/AMPLIFIERS:
** PIANO: Baldwin 6000 Concert Vertical
** GUITAR AMPS: Marshall JCM-800 (1980s vintage), Carvin Vintage Series 50-Watt tweed head, Fender "Corona" Hot Rod Deluxe
** BASS AMP: SWR Workingman's 12 combo
** DRUMS: Tama/Pearl 3pc (kick, rack tom, floor tom) with stands (drummers bring own kick pedal, snare drum, cymbals, felts/wingnuts)
** SYNTHESIZERS: Korg MS2000R rackmount module, Alesis QS8 88-key electric piano/synth, Roland XP-30


• Location: 91 & 710 freeway junction, Inland Empire

• Post ID: 61603576 inlandempire
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